Clowning

...now browsing by tag

 
 

Man of the Month Before – David Gaines

Monday, August 1st, 2011

August’s Man of the Month is:

David Gaines

Here’s a little bit about him:
David Gaines is a performer and director who has focused his work almost exclusively on telling stories in movement, mask, improvisation, commedia, and clown. He studied for two years at the Ecole Jacques Lecoq in Paris, France, after which he was a founding member of The Moving Picture Mime Show – a movement theatre company based in London that toured Europe and the world for 10 years. He then returned to the Ecole Lecoq as a professor of mask and movement.

He has been a faculty member at the graduate school of the University of Missouri (Kansas City), and is now teaching at George Mason University in the Washington DC area.

As a clown, he is a member of the Big Apple Circus Clown Care Unit in Washington and Baltimore. As a writer and director, he has developed and directed shows for companies in England, Paris, and Salzburg.

His two most recent solo performance pieces are: “A Little Business At the Big Top”, performed at the New York Clown Festival, and “7 ( x 1) Samurai”, which has won numerous awards and sold out at Theatre Festivals all across the country and the continent.

And here’s how he answered my 6 questions about creativity:

What does it mean to you to be creative?
To apply imagination to what you do, whatever the field.

What triggers your creativity?
Of course the shortest and most correct answer is: “A check and a deadline”.
Butto was more pompously artistic about it:
“Other people’s provocations and suggestions – obliquely. Allowing my mind to turn an idea or a problem over in a daydreaming sort of way; thinking about it while sitting in the bath, for example. When something that I hear or think of makes me think “that would be cool to do”, then I feel the impulse to pursue it. Then, for physical work, the opportunity/obligation to actually try to make the dreams real with actors in space, and all the new problems that turn up. Then it’s work and daydreaming in alternation until the soufflé is done or falls flat.”

Rally to Restore Sanity - David and Susan

What hinders your creativity?
My slothful body and my inner critic.

What’s the wildest journey your venturesome spirit has taken you on?
I am cautious and conservative by nature, but in my youth I once went to Basle, Switzerland for Carnival (or Fassnacht), during which, for two nights and the day between them people would rove the streets in small gangs of masked and costumed fife and drum corps. Everyone in town, it seemed, played in a fife and/or drum group, and practiced regularly (like Samba teams in Brazil, I guess) for this occasion. It was wind-whipping-ly cold at night, but an incredible glimpse – for a kid who thought theatre and life lived separately – of a place where the two worlds collide. People who are at once perfectly ‘quotidian’ and highly theatrical. I have enjoyed that zone ever since – a theatre that is obviously real while at the same time compellingly theatrical.

What does being bold and provocative mean to you?
Two different things. Being bold means having the courage to throw yourself into choices for which prudence, wisdom, or your inner critic might come up with good reasons why they are stupid, or won’t work. And it is devoutly to be valued in the creative process. Even though it is often misguided, it is a myth to think there can be creativity (or indeed, anything in life) without mistakes and waste.

Being provocative means simply stimulating a response. I think this is overrated as a value in works of art, since provocation of shock, nausea, and revulsion alone do not in my mind qualify as worthwhile (nor are they very hard to achieve). When a work is provocative of something of value (laughter, beauty, empathy, understanding, inspiration, etc.), then it is legitimately valuable.

What’s next for you?
Death, I expect. But before that, fun, play, silliness, delight in the bittersweet regard that age can have of the consuming passions and desperate struggles of our younger selves. Also, of course, flogging this successful show as long as my body (and, let us not leave out the most important part – my delight in performing it) will permit. There is the possibility of a short film in the works, and I often imagine a two person clown piece, Beckett-like, about life. I’d also like to create a version of Vonnegut’s “Sirens of Titan” (with a company), and a commedia piece that is a mash-up of Zorro, the Three Musketeers, and a pirate story (also with a company). But I am certainly old enough now to know that looking forward to doing something is often even more delightful than the work of actually doing it, so for now, I’m happy dreaming of things, touring, teaching young actors, and enjoying the now of life – cooking and eating a nice dinner with my wife, planting a garden, designing home improvement projects that are beyond capacity to execute.

And here’s a few things that inspires David’s creativity:

Movies: “Love Actually”; “In the Bedroom”; “Big Fish”

Books: “The Life of Pi”

Songs: too many to mention. The smooth and sensitive solace of James Taylor. The cleverness and rhythmic tunefulness of Paul Simon. The depth and resonance of Mary Chapin Carpenter. The bold accomplishment of Lauryn Hill…

Theatre: A local (but world class) movement theatre company called Synetic Theatre. Also, sometimes school plays at high schools. And certainly many of the great performers I have seen/met on the Fringe Festival circuit.

But web-postable stuff? I don’t spend enough time surfing the web to have seen something really inspiring yet. Certainly all the “inspirational” power-point things one sees don’t last more than the time it takes to view them.

Actually, though, I would recommend the “TED” lecture series. Though I think little can really inspire you if you are not inspired by life itself, I do find them impressive presentations by smart people who have some mighty original and unusually imaginative thoughts.

And for high-concept, minimalist movement theatre that succeeds at its intention, it’s hard to beat this youtube video!

Check out David website www.davidgainesperformance.com!

Thank you David for always dreaming up stuff!

To hear about the next Man of the Month, follow DollyFaye on Twitter!

Woman of the Week Before – Heidi Specht

Tuesday, August 10th, 2010

Here’s a little bit about her:
Heidi has been working as a professional actor, director, producer and teacher since 1990. She is the Artistic Director of Pangaea Arts, an award-winning intercultural, interdisciplinary, world arts company based in Vancouver. One of their productions, The Gull: The Steveston Noh Project, was awarded the prestigious Uchimura Naoya Prize from Japan. Heidi’s performing and training in theatre have taken her to Europe, Asia, Russia and all over North America.

Her performance experience and training is very diverse, ranging in styles from masked theatre to circus to Noh theatre and Chinese opera. She is also co-artistic director of The Trollsons, a masked family of Scandinavian trolls.

And here’s how she answered my 6 questions about creativity:

What does it mean to you to be creative?
To use my imagination and take myself out of my comfort zone in any activity or aspect of my life. To build something from nothing.

What inspires your creativity?
It is a difficult question. I find inspiration everywhere, and things just suddenly strike me from out of the blue at any time unexpectedly. My interests are wide and I am very curious. Any time I apply myself to something full heartedly my imagination is sparked and I find that I am taken in and always surprised by what I discover. I think that is what I love so much about being in a creative field. Life is always full of wonderful discoveries and the creativity is always present and available if I trust. If I had to narrow in on major sources of inspiration for my creativity it would be music and sounds from my environment, as well as travel. Travel has exposed me to new cultures and approaches to life which have helped exponentially to expand my creative vocabulary and ability to view things from different angles. And I have learned so much from watching my son play, his ability to be open and receptive at all times.

What keeps you moving forward in making things happen?
I’ll be inspired by an idea for a project and I can’t rest until I see it to fruition. Sometimes ideas will rest for awhile and many years will pass until the time is right to dust it off and make it my main priority. Other times the idea will pass and it no longer seems relevant. Sometimes I feel squeezed dry after a long arduous process of producing a project and I wonder if I will have the energy to continue. But it won’t take long and after several months the idea-o-meter is ticking and I can’t help myself but dive into another project. I am not sure what motivates me to continue. Sometimes I wonder if it is a disease that I need to be cured of. But ultimately it is what feeds me. My imagination, my desire to create and take a dream from idea to reality. That is an extremely rewarding and empowering process.

What’s the wildest journey your venturesome spirit has taken you on?
I’ve done a lot of international travel and living and studying in foreign countries. They were all wild journeys that challenged me beyond my comfort zone, but this one proved to be challenging on a much deeper level, as I had to weigh my decision to be there in the first place. I had been awarded a study grant to learn Beijing opera clown in China, yet my son was only one years old. Here was one of the big tests of motherhood, to continue with career and dreams, or put them on hold. I decided, with the support of my family, to continue on the path I had set in motion before my son was born. This was an amazing opportunity to live with one of the last living legends of the “Nan Dan” role type (male who plays female roles), and study with an elderly clown in his company. There were moments when I seriously questioned my choices. It did not help when the Chinese television crew who had decided to document my studies asked me while filming “do you love Chinese opera more than your son”, which caused me to burst into tears on camera. This same film crew loved drama, they sprayed my face with water to make it look like I was sweating while training.

There were many intense moments on this trip, like riding on the back of my teachers’ motorbike through alleys and on sidewalks in order to get to an opera costume shop, in complete fear of losing my life. The traffic is insane; constant tailgating, nonstop honking and braking, and changing lanes without signaling. Strangely I have never seen one car accident in China, there seems to be some kind of divine order in the chaos. This trip challenged me every step of the way, but I also had some magnificent, once-in-a-lifetime experiences, such as performing with my teacher’s opera troupe at a concert for rural factory workers on New Years Eve, and the audience was overjoyed to see a foreigner performing their art form – there was a connection that I will never forget, and it is somehow the essence of the kind of work I am doing.

In the end, my family and I survived, my absence did not make the sky fall down, and indeed my husband and son bonded greatly during this trip. I can now thank my venturesome spirit for pushing me to keep my dreams alive. I have been back to China several times since, and my son is very interested. He often talks about wanting to go there himself one day, and he is a huge fan of Monkey King, a character in the Chinese opera. It has become a positive part of his life experience as well.

What’s the boldest, most provocative statement you are willing to make about yourself, your business or the industry that you are in?
Don’t rely on anyone else to tell you when you can be creative. Create the opportunities for yourself. Follow your own path and the rewards will be so much greater.

What’s next for you?
I have been developing a new project with Pangaea Arts for the last two years, which will finally come to fruition in November of 2010. We commissioned the renowned Canadian author Paul Yee to write a new play about Cumberland Chinatown on Vancouver Island in 1900 and the touring Chinese opera troupes that toured BC at the time. This project pays tribute to the contribution of Chinese coal miners and to the long and rich history of Chinese opera in Canada. We are collaborating with renowned Cantonese opera performers from China and Singapore. I’m also touring with our masked troll characters The Trollsons, and developing some very original and unique street theatre acts, based on international forms of street theatre. So, lots of really exciting and stimulating work ahead.

And here’s something that inspires her creativity:

When it comes to creativity Japanese animation director and artist Hayao Miyazaki is king in my books. He is an endless source of exceptionally beautiful, insightful and creative ideas.

www.nausicaa.net/miyazaki/

Thanks Heidi, love your spark filled imagination.